If you wish to serve as an editor in this project, please state your:
-ability
-experience
-software used
-time availability

Although example recordings are not needed, it will definitely help coordinators. We will try to let everyone edit music, but if poorly done it will be redone by another editor to permit highest quality of sound and music.

-Ability isnt an issue, I can do anything really
-I made plenty of tracks for Metastra
-Garageband
-Pretty much 24/7 availability

-lots, (if I don't know, I find out very fast.)
-Yeah. None that can be proved.
-Garageband (soon with expansions)
-12/7, but I also spend time with MoA.

- Same as Brttrx
- I've only really edited a bunch of my own stuff
- Wavepad and/or Audacity
- Almost completely free for a month or so

-Can quickly learn, so "lots"
-Editing of audio and video for musicals. Currently in training for editor certification with the local public access television group.
-I have access to the complete Adobe Creative Suite, including Audition, Soundbooth, and Premier. all CS3, will have access to CS4 eventually. Also Steinberg Cubase 3 (I'm currently in the process of learning it).
-Very available during the summer, I can make time during the school year.

Well, I have a question: Are the editors /just/ going to compile things, or do we get to do cool things to the music?

ChaoStar wrote:Well, I have a question: Are the editors /just/ going to compile things, or do we get to do cool things to the music?

I would talk to the person who made the original track about it first to see what they think, and compile ideas. _Communication is a key role to making this project work_. They might want you to just add or decrease volumes or something along those lines, or they might ask you to add sounds and distortions, who knows.